5.10. MIXER: Difference between revisions
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[[File:Fig69.jpg | 360px | center]]  | [[File:Fig69.jpg | 360px | center]]  | ||
===    | ===  SEND TO MIDI ===  | ||
This  menu  allows  you  to  route  MIDI  track  this  information  to  multiple  MIDI  outputs,  these    | This  menu  allows  you  to  route  MIDI  track  this  information  to  multiple  MIDI  outputs,  these    | ||
choices are not mutually exclusive.    | choices are not mutually exclusive.    | ||
<br>  | <br>  | ||
<u>Note</u> : It is possible to use multiple MIDI interfaces with the same names of MIDI ports.  | |||
<br>  | <br>  | ||
=== SOUND EDIT ...  ===  | === SOUND EDIT ...  ===  | ||
See Section 5.10.2 SOUND EDIT    | See Section 5.10.2 SOUND EDIT    | ||
Revision as of 11:12, 5 October 2014
GROUP VOICE
This group has 16 voices, each voice can be either on a runway or arranger on a track MIDI or KAR read file. 
SECTION SOUND EDIT
Double-click on one of 16 tracks opens the SOUND EDIT window. Once the open window, a single click on other tracks, update the SOUND EDITwindow. 
When editing tracks RIGHT 1, 2, 3, 4 and 2nd VOICE LEFT and 1, 2, 3 can be made simple or more complex presets. The above parameters is added: 
A play area: 
From Key   and Key To allow you to select the range of action, we define KEY From notes by clicking on the displayed value and then play the keyboard the desired note (the number will be displayed.). 
We define Key To note (which may not be less than From Key) by clicking on the 
displayed value and then play the keyboard the desired note (which may not be less than From Key). 
Particular velocity: 
 Velocity FROM  Sets the value of the strike force from which the note will be generated. A low value corresponds to "light" the maximum is "Sforzando."
 Velocity To Sets the value of the strike force from which the note will no longer generated. This value can not be less than Velocity FROM. 
A change octave. 
A transposition in semitones. 
These special lanes and 2nd RIGHT and LEFT VOICE allow for example to produce a different tone and a different velocity according to the octave played
The parameters are set you can save your work in SAVE SOUND 
Distinctive Ways DRUM and PERC 
By double-clicking on the track or PERC DRUM SOUND EDIT window appears with new 
percussion own settings:
These two channels have a DRUM MIXER 
Particulars of the Track BASS
Ability to save the MANUAL BASS SUSTAIN. To do this, select Manual Bass, double click on the bass track, and change the value of the ReleaseTime. You can then save this setting in CONFIG SAVE STARTUP
SAVE SOUND
SAVE RIGHT SOUND is available from the button 
and "SOUND ..." The following parameters are stored in SAVE RIGHT SOUND: 
By combining up to 5 tracks (RIGHT 1, 2, 3, 4 and 2nd VOICE) it is easy to create new sounds complex. 
CONTEXT MENU TRACK
Right click on a track displays a context menu thatcallows the following selections: 
Here, right click ACCOMP4:
SEND TO MIDI
This  menu  allows  you  to  route  MIDI  track  this  information  to  multiple  MIDI  outputs,  these 
choices are not mutually exclusive. 
Note : It is possible to use multiple MIDI interfaces with the same names of MIDI ports.
SOUND EDIT ...
See Section 5.10.2 SOUND EDIT 
STYLE MIXER ...
This  command  displays  summary  screen  settings  current  style  for  each  track,  and  each 
variation. (Compatibility Ketron styles to come)
GROUP MASTER/EFFECTS
This group has 4 channels and adjustment effects two groups: 
The first track named SONG, we read a sequence or an audio file, or STYLE  for the use of a 
style rule by moving the cursor vertical level of the sequence, or the audio file type (0-127) 
The second channel named 
 adjusted by means of the vertical level of the cursor LEFT section (0 to 127). This path can be selected, which causes the display option 
 in VOICE. This feature allows you to associate a bar SOUNDS MY STYLE. A right-click displays 
the popup menu cf. 5.10.4. 
The  third  path  named in 
 adjusted  by  means  of  the  vertical  level  of  the  cursor  RIGHT section (0 to 127). This path can be selected, which causes the column display stamps allowing choice. A right-click displays the popup menu cf. 5.10.4. 
The fourth track named  MAST rule acting on the vertical 
 rule acting on the vertical slider overall output  level (MASTER) from 0 to 127.
 
Above, another digital indicator shows white numerals on a black background, it is of polyphony, 
in other words, the number of notes "ON" sent to the sound module. This allows for example, 
whether vA2 is receiving MIDI data from the device connected to MIDI IN. 
The  first  group  of  effects  named  FX1-REVERB  can  select  a  reverb  type  from  eight  types  of 
which OFF (no reverb). The choice is made by clicking on the name of the REVERB in use, a 
drop-down list displays the different reverbs available. 
By  clicking  on  the  bottom  of  the  window vA2 It  clears  the  combo  box  without  applying  the 
changes. 
The maximum level is adjustable reverb chosen in another drop-down list of values: 0 to 16. 
The second effect group named FX2 can choose different types of CHORUS DELAY DISTO to 
be applied to different tracks vA2 Eight different types are available including an  OFF for all 
three FX2 effects. By clicking on the bottom of thewindow vA2 It clears the combo box without 
applying the changes. 







