2. PRINCIPLE OF OPERATION: Difference between revisions
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Connect to the computer your favorite MIDI instrument (usually a keyboard with a MIDI or | |||
USB output, but also guitar MIDI, MIDI accordion ...) | USB output, but also guitar MIDI, MIDI accordion ...) | ||
Connect to the computer a MIDI synthesizer (sound generator) | |||
take care to recognize "real time" played | take care to recognize "real time" played arrangements and generate a complete | ||
orchestration in the chosen style, while allowing you full control over all aspects of your | orchestration in the chosen style, while allowing you full control over all aspects of your | ||
instrumental Thurs | instrumental Thurs | ||
Instead of developing software with thousands of parameters to enter into menus and | Instead of developing software with thousands of parameters to enter into menus and | ||
sub-menus, we opted for an integrative approach. | |||
So we decided to offer a ready-to-use solution for the musician, from | So we decided to offer a ready-to-use solution for the musician, from beginning to end, the | ||
chain of sound production. | chain of sound production. | ||
Of course, the software is inherently scalable and we are in constant technological monitoring to | Of course, the software is inherently scalable and we are in constant technological monitoring to | ||
Revision as of 00:03, 1 October 2014
Connect to the computer your favorite MIDI instrument (usually a keyboard with a MIDI or
USB output, but also guitar MIDI, MIDI accordion ...)
Connect to the computer a MIDI synthesizer (sound generator)
take care to recognize "real time" played arrangements and generate a complete
orchestration in the chosen style, while allowing you full control over all aspects of your
instrumental Thurs
Instead of developing software with thousands of parameters to enter into menus and
sub-menus, we opted for an integrative approach.
So we decided to offer a ready-to-use solution for the musician, from beginning to end, the
chain of sound production.
Of course, the software is inherently scalable and we are in constant technological monitoring to
integrate progressively solutions that really seem workable for the musician.
Our first choice turned to integration Ketron SD2 sound module.
Following one of the possible configurations for the vA2:
![360px]](/wiki/index.php?title=File:Fig78.jpg)